​Georgia Harvey handbuilds clay forms destined mainly for low temperature firing techniques, using glazes pushed to the edges of functionality, or surface treatments using smoke. She draws on her experiences working as an art conservator and revels in collaborations with forces that are never entirely under control, such as fire, chemical reduction and environmental conditions. Much of her ceramic work is an extension in three dimensions of themes explored throughout an earlier painting-based practice: authenticity/forgery, museology and the project of classification, and rescaled worlds.

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Image credit: Nico Photography